I believe that true storytelling exists at the intersection of radical empathy and rigorous precision. For over a decade, I have operated as a Creative Lead and Senior Producer, bridging the gap between high-end cinematic art and scalable global operations. My career is defined not just by the images I capture, but by the systems I build to ensure those images are possible.

At my core, I am a documentary-focused storyteller. I have spent years traversing the globe, operating in the United States and over 30 other countries to capture the human experience in its rawest forms. I have sat across from thousands of individuals, finding the common narrative thread that connects a mother in rural Malawi to a Fortune 500 CEO. Whether I am directing a 30-person commercial crew or operating as a solo cinematographer in a vulnerable community, my objective is to give a voice to the voiceless and craft human-centric narratives that resonate.

However, creativity cannot survive without structure. I possess an efficiency-obsessed mindset that borders on the compulsive. I view production workflows not as administrative hurdles, but as architectural blueprints that protect the creative process. By engineering rigid, scalable production systems—utilizing tools like Monday.com and Frame.io—I automate administrative friction to isolate the variables that mire the creative process. This allows me to strip away the chaos of logistics so that my teams can focus entirely on the story in front of the lens.

This devotion to precision extends to my tools. I am a technologist who stays on the bleeding edge of production gear, maintaining technical mastery over RED and Sony ecosystems, aerial cinematography, and emerging generative AI workflows. I believe that understanding the nuances of lenses, lights, and drones is essential to translating a vision into reality.

Currently serving as the Lead Multimedia Producer for Save the Children, I direct end-to-end creative production for global campaigns. My work has been recognized with a Shorty Audience Award, a Telly Bronze Award, and PR Week’s PR Purpose Award.

I don’t just manage productions. I design the environments where stories can breathe, grow, and change the world.